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“Well, I suppose nothing is meant to last forever. We have to make room for other people. It’s a wheel. You get on, you have to go to the end. And then somebody has the same opportunity to go to the end and so on.” – Vivian Maier
WHO WAS VIVIAN Maier?
She was a nanny. She was unmarried. She often wore anachronistic clothing and was both remarkable and unremarkable.
She was born in the USA. Or was it France? She had a French accent. She had a fake accent.
She loved children. She had no children. She disliked some children.
She was 7ft tall. She was 5ft 9.
She was paradoxical and interesting, she was a woman who people knew but who nobody knew.
She was one of the 20th century’s greatest street photographers.
Just who was Vivian Maier?
If the lines above seem like a bundle of contradictions, then a new film about Maier’s life might provide you some answers, but even more questions.
Finding Vivian Maier is co-directed by Charlie Siskel and John Maloof. The latter is the young Chicagoan who bought a box of negatives at an auction in 2007 while searching for images for a local history book.
Initially, Maloof put them aside, but after scanning some of the negatives, he realised he had some incredible special photographs in his possession.
In 2009, the same year Maier died, Maloof posted this link on Flickr, asking what he should do with the images he now owned:
The reaction was incredible – it was clear he now owned photos that were not of the usual amateur photographer standard.
Hungry for more of Maier’s work, he sought and bought more of her possessions, finding himself the owner of thousands of negatives, and undeveloped rolls of film, as well as numerous books, rumpled hats and shirts, personal tchotchkes, piles of newspapers and letters.
In essence, Maloof became the new owner of Maier’s life, and after he discovered she had recently passed away, he could not abandon this new responsibility.
In Finding Vivian Maier, we see how this intriguing woman documented her life, venturing into dangerous or poor parts of town, often bringing her reluctant child charges with her.
We also realise that Vivian Maier left various and differing impressions on the lives of the people she met.
Piecing together Maier’s story has become Maloof’s life, and he treats this task as sensitively as he can in the film, even when the subject turns quite dark.
Maier appears to have been a forthright, passionate but slightly reclusive woman, who was sensitive to injustice and uncompromising about the way she lived her life.
The question ‘what was a nanny doing taking photographs?’ – as Maloof asks at the beginning of the film – underlines not only that she stepped out of prescribed gender and societal roles from the 1950s, but that these assumptions still linger on.
Maloof is frustrated at what he sees as a refusal of the art world to accept Maier’s posthumously developed work, but at the same time he has been able to exhibit her photos in the United States and Europe.
[image alt="The Nanny Secret" src="http://cdn.thejournal.ie/media/2014/07/the-nanny-secret-4-466x500.jpg" width="466" height="500" title="" class="alignnone" /end]
Whether Vivian Maier is ever considered a ‘great’ by those in the higher echelons of the Art world makes no odds when you witness the responses to her work.
Technically brilliant, exquisitely framed, whether they were snapshots of downtrodden lives or experimental self-portraits, Maier’s photographs show that she had that rare combination that makes a great photographer.
Just as the chemical mix needed in the darkoom has to be 100% correct to develop an image, Maier had a combination of talents that allowed her take such stunning shots.
She had the eye, the nose for a good shot and sense of mystery, an empathy for the vulnerable, and a talent for working with light and shadow.
But, like us all, she wasn’t perfect. This, the documentary makes clear.
Some might call it a ‘failing’ that she never appeared to try and bring her work to a wider audience, but only she knows the reason behind that.
The rest of us can feel grateful for whatever twist of fate led her to layer and pile her life into the boxes that ended up in the hands of the capable John Maloof.
You can see Vivian Maier’s photographs and find out more about her on the VivianMaier.com website. Finding Vivian Maier is on general release now.
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We dont recognize mandate.What country do they think we’re in South Korea.Its your right be a member of a union.Any one who goes past a picket is a S___.
@Dave Walsh: They have more then 800 staff so 30% is not happy and 70% agreed
a deal. Yes it is everybody’s right to be a member of a union but it’s also our right not to agree with the picket.
@Dave Walsh: I always found it interesting that it’s a ‘right’ to be part of a union but you’ve no ‘right’ to pass a picket , you’ll be called every name under the sun. Find it pretty hypocritical to be honest.
@Bilbo Baggins: It is a right under the constitution that you can be a member of a union. You can pass a picket if you want but of course you will be called names and be scorned for passing a picket, not because you have the right to pass picket but because it is a not a nice thing to do.
@Hans Vos: incorrect. Senior management and the Directors allowed themselves a vote on their own proposals, including 70 staff in Head Office who are not impacted by the deal at all. They gerrymandered the vote. They also didn’t allow an anonymous vote because you had to supply your name and staff number in order to vote. 96% of staff who voted in the only independent anonymous ballot rejected the deal – and that was a vote by people affected by the proposals. The company are the most profitable multinational pharma company in the world and they pay their irish workforce as low as €10 per hour. The CEO paid himself €15 million last year. These workers deserve better.
@Bilbo Baggins: where you born that way?
Lloyd have mercy!
@Gerard O’Brien:
Well done to the Lloyds workers keep up the fight. Anybody who passes an official picket should be ashamed of themselves.
They don’t deserve to serve in healtcare even tangentially.
Fire them all.
@Steven C. Schulz: This is a strike against the public safety and should be illegal.
have your say