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Street poets who aren't in it for the money: Irish hip hop on film

Broken Song is due out on 15 November – a mainly black and white film that takes a look at Dublin emcees, singer and label boss.

http://vimeo.com/59613055

(Zucca Films/Vimeo)

THE LIVES AND work of a small group of Irish hip-hop artists is explored in a new and unexpected way in the soon-to-be released Broken Song.

This documentary focuses on GI, Costello and Willa (William) Lee, north-Dublin based street poets, hip-hop artists and songwriters, for whom music is not a hobby, but a religion.

While GI and Costello are quickfire, introspective-yet-outgoing emcees, Willa Lee has the soulful voice of a man far older than his tender years. Also featuring in the documentary is Dean Scurry, of the impressive Workin Class Records, who works with the young musicians and songwriters.

In contrast to the graffiti-strewn, urban look that people tend to favour when profiling hip hop, director Claire Dix chose to shoot most of Broken Song in black and white, with some imaginary sequences in colour.

The result is that the viewer isn’t distracted by bling, but instead drawn in by the fluid, somewhat dreamy feel of the film. The characters of the men are able to come through, as Dix follows the ups and downs of their real lives over a number of months.

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Dix first met Costello, Scurry and GI back in 2010, and despite her initial unfamiliarity with their work, they left quite an impact on her, particularly the lyrics, which she described as “modern-day, real poetry”.

As Dix got to know them, she realised that, contrary to the image conjured up by mainstream artists, they were not motivated by money.

“Commercial success isn’t what drives them. Hip hop is a part of their everyday life. They call it their religion,” she explained.

The men aren’t just happy to work on their own output, and are very involved in outreach work with younger children in the Ballymun area of Dublin in particular. For them, it’s a way of fostering the same love of hip hop that turned them into creators. “There’s something very refreshing there,” said Dix of their approach.

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Costello

Rather than relying on the over-used tropes of graffiti, bright colours and flashy editing, Broken Song is a more gentle, poetic affair. Dix sees it as an art piece, and instinctively shot the majority of it in black and white.

The film looks at the men’s lyrics and writing more so than how they create their beats, as Dix is clearly fascinated by the words they spit out and weave together.

The first song they performed for her, called Flawless, was about “how unjust the whole society is” and what it is like to be a voice for the disenfranchised. This served as a focal point for what she wants to get across with this film, as it showed how the musicians were getting back to the real roots of hip hop.

The landscape that surrounds the men, the streets where they spend their time and which inspire their work, in turn inspired Dix:

Their poetry comes, really, from the streets where they are from. [The footage] does really linger on landscapes, shots of Ballymun. This is where they are rooted, what inspires them, what they are trying to articulate.

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Willa Lee

Broken Song is a positive film, but it doesn’t shy away from the issues facing the men. Willa Lee’s court issues are documented, but Dix said he was not reticent about this being included. “He didn’t seem to have any qualms about it. We really did get great access, they really took a leap of faith.”

Dix was careful not to rely on stereotypes when filming the musicians, treating them like artists rather than caricatures. “I really see them more as poets,” she explained.

As for the documentary title, while Dix said it references the idea of rap being a deconstructed or broken song, it is also inspired by Willa’s struggles.

One thing that is not fractured is the tight relationship between all of the men, for whom collaboration is a key part of what keeps them working so hard.

“They’re all so committed to their thing. There’s no preciousness involved. They help each other out,” said Dix. “It is such a collective in the real sense of the word.”

This isn’t a documentary about Irish hip hop as a whole, but it’s a film about people who happen to be Irish hip hop artists. This is a look at young men who are “heroes in their own neighborhood and within the hip hop world”, who aren’t in it for the money, and who work with young people to give them their own voice.

“They were so disempowered but the music made them powerful,” said Dix of the transformative effect that she believes creating hip hop has had on GI, Costello, and Willa Lee.

“They did it themselves with their own voice and own brain, and poetry and soul. They managed to become powerful.”

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Broken Song will go on release in the IFI in Dublin on 15 November and axis: Ballymun on 27 November. For more information visit Claire Dix’s website.

Read: Hip-hop exchange teams up Irish and Dutch rappers>

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21 Comments
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    Mute Sheldon
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    Apr 3rd 2018, 7:58 AM

    I’m amazed animal circuses are still legal in so called civilised countries.

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    OMG!
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    Mute OMG!
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    Apr 3rd 2018, 8:32 AM

    @Sheldon: As long as those uneducated in the cruelty imposed on circus animals continue to pay to attend circuses, these cruel businesses will continue to exist.

    Some people are still of the opinion, even in 2018, that attending a circus is a ‘Great day out’.

    Further education is needed.

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    Mute Karen Lord
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    Apr 3rd 2018, 8:58 AM

    @Sheldon: In a country where traumatising and torturing a bull is a national pastime, I would imagine concern for the welfare of circus animals is non-existent.

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    Mute Sean
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    Apr 3rd 2018, 9:41 AM

    @Karen Lord: Bullfighting isn’t even popular over there. It relies on heavy subsidies from the State to stay in business because most Spanish think it is as disgusting as we do? Can we talk though? We round up wild hares and terrorize them every year in hare coursing events.

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    Mute john Appleseed
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    Apr 3rd 2018, 11:14 AM

    @Sean: and fox hunting

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    Mute Fergus Kavanagh
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    Apr 3rd 2018, 12:43 PM

    @Sean: look at the popularity of events like San Fermín. There’s clearly a significant portion of the population that isn’t too concerned about animal welfare.

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    Mute Frederic Slimane
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    Apr 3rd 2018, 2:43 PM

    @Sheldon: my thought exactly!they should be banned.

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    Mute Joseph Dempsey
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    Apr 3rd 2018, 9:38 AM

    Why o why is it permitted to have these wonderful animals caged up, it astonishes me that Ivory sales have been banned since 1947 and yet society permits the abuse of these animals in circus’s it’s outrageous, perhaps the EU might consider doing something useful for a change and ban this practice across Europe

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    Mute DrDucati
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    Apr 3rd 2018, 8:05 AM

    This is just desperately sad. A huge trauma for these poor noble creatures in their already miserable existence. Big sigh.

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    Mute Sinead McCreary
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    Apr 3rd 2018, 7:50 AM

    D dead 1 had a lucky escape from captivity.
    Sad

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    Mute Catherine Sims
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    Apr 3rd 2018, 10:51 AM

    We need to ban circuses from using animals. It’s just appalling that a beautiful animal died in such a manner today.

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    Mute Mary Oliver
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    Apr 3rd 2018, 11:02 AM

    @Catherine Sims: dreadful but at least now he wont have to suffer performing any more

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    Mute Catherine Sims
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    Apr 3rd 2018, 11:04 AM

    @Mary Oliver: He is dead though. Dead is never a better alternative. He might not be performing but he or she isn’t doing anything anymore.

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    Mute Minom Pnnomm
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    Apr 3rd 2018, 7:56 AM

    Their journey was truncated.

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    Mute john Appleseed
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    Apr 3rd 2018, 11:14 AM

    @Minom Pnnomm: Man child

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    Mute Kevin Kirkpatrick
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    Apr 3rd 2018, 11:03 AM

    Can people like myself who eat meat even complain about this? Look how livestock are treated. Just because it’s elephants probably should not mean that some animals are more equal than others.

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    Mute Catherine Sims
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    Apr 3rd 2018, 11:08 AM

    @Kevin Kirkpatrick: it’s because we have some weird grading based on how sentient the animal is. In other words if the animal is clever and capable of emotion we show treat it better than we do say chickens. Of course when this so called system was evolving animals like pigs were considered to be very dumb. Recent findings of how intelligent these animals are is just conveniently ignored.

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    Mute Kevin Kirkpatrick
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    Apr 3rd 2018, 11:12 AM

    @Catherine Sims: Pigs are at least as smart as dogs. I find it hard to take outrage at incidents like this seriously when people don’t seem to have a problem with how our meat is produced.

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    Mute john Appleseed
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    Apr 3rd 2018, 11:17 AM

    @Kevin Kirkpatrick: agreed. I don’t eat meat but I can understand the difference between eating meat for subsidence and just using animals for entertainment. Either way, animals in the meat industry should be treated better and transport of live animals should be barred. Ban Halal meat for a start.

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    Mute Catherine Sims
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    Apr 3rd 2018, 11:30 AM

    @john Appleseed: I don’t eat meat either but our meat Industry for the most part is not the horror story it is in other countries . Apart from bacon maybe. We are better are looking after our animals produced for food. That not an excuse as I said I don’t eat meat. There is also a huge movement on having wild animals in captivity at all. Animals like elephants should be roaming around d their natural environments in Africa and India. The problem is of course animals are still hunted to extinction and zoos are important for their breeding programs. It’s a huge issue with many layers.

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    Mute Boxer Alice
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    Apr 3rd 2018, 3:23 PM

    This just makes my blood boil!!. There should be a complete ban on animals in circuses. Don’t even get me started on the way farmers treat their animals. It’s an absolute disgrace and nothing is said about it. From a chicken to an elephant, they should all be given respect.

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    Mute Michele Savage
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    Apr 3rd 2018, 5:40 PM

    5 elephants in 1 truck….

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    Mute Boxer Alice
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    Apr 3rd 2018, 3:24 PM

    By the way I have been a vegetarian for the past 30 years.

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