THE JOURNAL RECENTLY launched a six-part documentary series about mother and baby homes, telling the stories of women and children who passed through the system.
Redacted Lives follows the experiences of mothers who ended up in institutions because they became pregnant outside marriage, as well as people born into the system.
The series was released across six weeks in November and December. If you missed it, you can catch up on all episodes here.
Tens of thousands of pregnant women and girls were sent to mother and baby homes in Ireland throughout the 20th century. Their children were usually adopted or sent to industrial schools – often without their mother’s consent.
Mother and baby homes existed in many countries but the proportion of unmarried mothers sent to institutions here is believed to have been the highest in the world.
Many women have tried to find their children over the years, but to no avail. Adopted people also struggled to find their parents or information about their early life.
These people were silenced for decades and when the State finally said it would investigate the system via a Commission of Investigation, many survivors felt that their experiences were dismissed and disregarded.
Redacted Lives gives those women and their children the chance to tell the real story of mother and baby homes, and how the State continues to deny survivors access to information, proper redress and ownership of their true identities.
Finally, they get to speak in their own words, in their own voices.
The series was created by the award-winning team of News Correspondent Órla Ryan, who has written extensively about mother and baby homes, producer Nicky Ryan, from the critically-acclaimed Stardust podcast, and executive producer Sinéad O’Carroll.
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If you passed through a mother and baby home or another institution and want to share your story, you can contact us in confidence by emailing redactedlives@thejournal.ie.
Redacted Lives is presented by Órla Ryan and produced by Nicky Ryan. Sineád O’Carroll is the executive producer.
Daragh Brophy and Christine Bohan were production supervisors.
Taz Kelleher is our sound engineer, and design is by Lorcan O’Reilly.
With thanks to Laura Byrne, Susan Daly, Adrian Acosta, Carl Kinsella and Jonathan McCrea.
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