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LOOKING FOR A great short story to read – or listen to – this evening? You’ve come to the right place.
Peter McNamara is a writer from Dublin who also works as a community journalist with a local newspaper. He has drafted several novels and started writing stories this year, with the intention of completing a collection. In this story, Phil’s mam has just moved out of the family home. Phil is visiting her in her new flat, and trying to figure out how he feels.
His story The New Place took second prize in the RTÉ Radio 1 Short Story Competition in honour of Francis MacManus. The award was judged by Cormac Kinsella, Danielle McLaughlin and Sinead Crowley. The story will be broadcast tonight on RTÉ Radio One at 11.20pm.
Phil looked at the grid of silver buttons and looked away, to where his bike stood against the railing. He knew being late would make things worse. His mam’s flat was number twenty. Though he’d heard it many times, the noise of the bell remained strange. It was like the song of a broken robotic bird. It sounded so different to the one they had at home.
His mam buzzed him in. Phil stepped from the cold November evening into the bright lobby, and climbed to the third floor.
“Heya love,” she said. Her blonde hair was tied in a knot at the top. She hadn’t changed out of her grey suit. “How are you?”
“Yeah. Grand.”
His mam been living in the flat for the last three months; Phil had been coming for dinner every Wednesday. As he went down the hall, different phrases circled in his head.
His sister Aoife tried helping – Phil rehearsed what he wanted to say when they Skyped the night before. They went over it twice. She interrupted him when he started to describe the flat. “Don’t even bother. I know what it’s like. Drab and sad and she’s there thinking it’s a vision.”
Phil came into the kitchen. He caught the smell of food.
“Is that meatballs?”
His mam smiled. “I thought you’d like something different.”
Meatballs were his favourite. There was so much grinding and dicing, his mam used rarely make them. He slipped off his coat and stood by the door. He was hungry, but didn’t feel it. His stomach was tight.
“Get yourself a glass of milk, take a seat.”
Phil tried to remember the last time he’d had meatballs. It might have been two years ago, before she’d stopped cooking at home altogether. He sat into the wooden chair and glanced around. The kitchen had started to feel more lived-in – when she first came there was hardly a cup in the place. She’d gotten a glass-doored cabinet, and made an effort to fill the shelves. There were framed photos of him and his sister that she had taken from the mantlepiece at home. Beside the small dinner table she’d hung a bland landscape print of seashore. She bought it the week before, said it reminded her of Waterford.
“So, what’s going on? Any news?”
“Not much,” Phil said, joining his hands on the plasticky tablecloth. He tried to find something ordinary to say. “We got dates for our end-of-term exams.”
“Very good.”
“Yeah.”
He drew a longer breath.
“How are you fixed for them?”
“I’ll be okay.”
“You’ll be great. Sure you always do well.”
His mam served the dinner and sat opposite with a glass of water. She didn’t eat in the evenings.
Phil took a few slow bites. His hunger quickly returned: the meatballs were just too good. The tomato sauce seemed to taste especially rich and to look especially red. It was the plate, Phil thought, or the fork; eaten on this table, in this boxy kitchen, the meal he’d had so many times, on so many birthdays, looked like some fragile delicacy.
“Did you get that bike light?” she asked.
He glanced up. “No. Not yet.”
“I’m telling you, get that light.”
“I will.”
His mam shifted in her seat, which meant she wasn’t finished.
“You better get that light. You can’t be riding around without an LED one. And they recharge – you’ll end up saving money. Traffic in town has gone mad altogether. You need good lights. Especially with the dark.”
“Okay.”
“You need to be safe. Because town has gone mad. You need good lights. Get one of those LED ones. Get it tomorrow.”
Phil finished the food. His mam got up to give him more.
“I saw him,” she said.
She flopped spaghetti onto his plate, and ladled meatballs on top. She did it noisily.
“It’s just. You see someone every day. For years and years. And then nothing.” His mam returned to the table, set down the food, and took her seat. “He looked different. He looked a state, if I’m being honest. Worse than usual. He’d that same old dirty shirt – in the name of God would he ever change it. You try and try. You can talk yourself blue in the face. But when someone doesn’t want to listen…”
She made a jerking gesture with her hand. When she looked at him, Phil couldn’t hold her eye.
“I don’t mean to be putting anything on you,” she said. “I know you’re not really able for this kind of thing.”
“No. It’s fine. I mean, talk.”
“No, love. I know you’re not able.”
A silence began.
Phil’s throat tightened. He cleared it.
“Tea?”
His mam nodded. “Good boy.”
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She rose from her chair, went into the adjoining sitting room. Phil set the kettle going, and scraped his plate into the bin. He started to wipe the sink and counter, to tidy up for her in general, and stopped himself. The conversation with his sister the night before seemed a long time ago. He tried to believe things would be better, that he could make things better, for everyone. The kettle began to rattle in its stand. It clicked and subsided.
In the sitting room his mam was in the armchair. He took his usual place on the couch. She flicked through the TV stations: he saw the familiar Wednesday evening schedule of current affairs, home renovations, chat. There was a zoo documentary show they’d been watching. This episode showed penguins sliding around an enclosure.
His mam tossed the remote. It landed beside him.
Phil watched the penguins. He’d already lined up what he’d say next. He knew to wait.
He decided to wait for the tea to cool, for his mam to take a few sips.
“Did you see Downton Abbey are doing a Christmas special?”
She looked across.
He’d read it on an Internet message board. He knew it would be good news to her.
“Yeah,” he continued. “It’s meant to be nearly finished.”
“That’d be nice,” she said. “The way they’d do it.” She sipped from her cup. “They’d pull out all the stops.”
Onscreen, a group of penguins swam underwater.
“Do you ever hear from Aoife?”
“No,” Phil lied. He drank some of his tea, kept going. “Sure you know Aoife. Always doing too much.”
He checked to see it go over. In her armchair, facing the screen, his mam slowly nodded her head.
“Will she be back for Christmas?”
“I dunno. I mean: the flights.”
His mam said nothing.
“Maybe next year,” Phil added.
He turned the volume up to a level she could talk over, but that he could listen to. On the show they’d given all the penguins names, and imposed personalities on them. Dickey, the bold one, was trying to steal fish from the keeper’s bucket. They got a lot of mileage following the story. Afterwards, during the ad-break, Phil offered his mam more tea. She said she was fine, in an easier voice. It made him sit deeper into the couch.
On cue, a re-run of Friends came on. His mam liked Friends.
At the ad-break, Phil slipped the phone from his pocket, to confirm it was eight-fifteen.
He always stayed at least two hours. He decided to go to the bathroom, kill a few more minutes.
He avoided his reflection while he washed his hands. He thought of the impression Aoife did of their mam, how it had made them both laugh. What he wanted to say was fair. All he had to do was say it.
His mam was sitting forward in the armchair when he came back. The sound was down on the TV.
She looked at him. “There’s something I want to ask you.”
Phil sat down.
“I’ve been worrying,” she began. “I’ve been worried: about you. I know I said something else before but I’ve changed my mind. I want you to move in here. There’s a bedroom for you. There’s plenty of space. You’ll be closer to town. And you won’t be under his influence.”
Phil’s mouth opened.
“He’s done something to you,” his mam continued, more loudly. “You’re not the same – I don’t know what your father’s been telling you but you’re talking behind my back – I won’t put up with it.” She paused and tugged the collar of her shirt. “This is a nice place. The neighbours seem very nice. And I can do you nice dinners. You’ll be better off. You’ll be glad to be away from that kip of a house.”
Phil looked at the TV screen. Chandler was waving a rolled-up newspaper. He pointed it at Joey.
“How have I changed?”
Initially his mam appeared confused. She rallied.
“This is exactly what I’m talking about. Something has happened to you. You’ve no manners – no appreciation. You contradict me: you’re forever contradicting me. And it’s him putting you up to it.”
“It’s not him.”
“Don’t contradict me. I know it’s him. You were always the soft touch, did anything was asked of you. Are you not ashamed – have you no sense of shame? Yee two. Talking. It’s all any of you ever did in that house. Ungrateful – spiteful is what you are. After all I’ve done. It’s a disgrace. It’s a disgrace what you’re like.”
Phil felt heat on his cheeks. He took the remote from the coffee table, and turned the sound up on the TV. His mam watched him a few seconds. Then she sat back, as though the matter were closed.
Over the last three months, the house had become so much quieter. His dad was already different. Phil could see the man was lost, shaken, but free; so much had been lifted from him. The night before, Aoife told him to feel less: “Mam can’t hurt you if you just feel less.” Phil closed his eyes. His mam was right about one thing, a change had been coming over him. He didn’t feel the same since he started college the year before. There were so many new people, he was doing so many things; Phil liked himself, the person he was turning into. He joined his hands in his lap. This was the person he reckoned he really was, that he’d been all along. He was good. He was decent. It was only around her that he’d to remind himself.
Phil looked across at his mam, that person, the woman in the armchair. He thought of their next argument. He imagined her shouts, and his silence. Was there no other way?
Could he not change his mobile number, and one day just not show up?
In the sitting room, they watched to the end of the show. After that, he stood, because it was time to leave.
As he passed through the kitchen, his mam scooped leftovers into a lunchbox. She was eager for him to take them; he didn’t refuse. In the hallway he put on his coat and zipped it to the neck.
“I hope you have a nice week now.”
“You too,” he replied.
“We’ll talk about this again. The moving in.” His mam smiled. “Nothing will happen until after Christmas.”
Phil nodded.
He went down the stairwell, and hurried through the lobby into the cold. Australia were seven hours ahead; Aoife would be sound asleep. “Just tell her you can only see her once a month from now on. Tell her you’re setting new boundaries. You’re standing up for your needs.” That was easy for her to say, from ten thousand miles.
He unlocked his bike. The cycle home was uphill. Phil didn’t know if he had the energy.
He rolled onto the street, and set his lamp going, and watched it flash on the changing tarmac.
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@GRONG:
The BBC are competing for talent on an open market. If they reduce the likes of Graham Nortons salary, he may go looking elsewhere for better terms
Gary Lineker gets nearly 2 million for a show that is presenter-proof. Ratings would be unchanged if Dan Walker or Gabby Logan presented. It’s strange how it can be justified.
@Derek Goulding: people forget that he also presents the most popular radio show in Britain. His breakfast show on Radio 2 attracts millions of listeners. Not saying he deserves his huge pay. But he presents more than just MOTD.
I wonder what their wages are compared to their viewship numbers. Are they advocating for equal pay despite being less popular or profitable? Also, you’ll never see feminists push for equal pay in modeling, fashion jobs, pornography, or any job which women are paid vastly more than men. Also, you’ll never see feminists push for gender quotas in dangerous jobs. 99% of workplace fatalities are men, and that’s the way feminists like it.
@50 Pence: isn’t Oprah one of the highest paid TV stars in the world. Why don’t feminists complain at her pay being so much more than many male equivalents
@Ger Murphy: Chris Evans? It is nothing to do with ratings, but he you can detail how a female newsreader in the same news bulletin can be paid less then men, but prove it to be down to ratings then I am happy to be convinced.
@Dave O Keeffe: the male in the cases that were highlighted in the guardian was doing the show for a longer period as well as doing additional shows that the female was not doing
This sort of stuff makes me sick. It’s cultural marxism. Good example is Emily Maitlis, i’m sorry but she does NOT do the same job as Evan Davis. Davis is the anchor Newsnight host, does it 3 nights a week during the three nights with the highest viewership and often when the most complex political stories are breaking. Maitlis anchors it one or two times a week, often on a Friday night when no-one is watching and she does some reporting for the show. There is no way in heck they are doing the same work, yet she is hopping on the gender bandwagon and likely to get a big pay rise. Sickening.
More pay gap nonsense. People just eat this up without looking at sources themselves. If you are paid less in violation of the legislation in place it would be simple, sue them. But they’re not, they are paid according to their original negotiations, ratings, work load, length of service etc. If there was a gap because you are a woman it would be illegal. Any gap there is, is because the market doesn’t value you the same – and that market contains 53% women btw. I was told on here by a feminist to shut up whinging, let me direct that back at you now, shut up whinging and do better at your job. Stop looking for more money for doing less and being of less value to the market.
Must be galling for feminists to have to admit that despite the inroads made through gender quota initiatives men in media are held in much higher esteem by the public right across Western civilization.
What people get paid is a lot more complex than their gender. It seems the women are just using this gender thing as an excuse to up their wages. The market for hiring male presenters seems a lot more competitive for the male presenters, thus the higher wages. Its nothing to do with gender inequality. Its the market.
Not this again. If there was such a thing as “pay gap” then why don’t company’s get women instead of men as they would save more money. It because it is a bunch of nonsense.
Give us money because we are women, that’s what all this nonsense is turning into. How about show viewership/listenership figures, how about show hours worked. This is just more of the pay gap lie which is an earnings gap. They never compare like with like , they never show hours worked, type of jobs worked. Its just play school economics where they take all male earnings v female earnings and compare only that. If you want the true representation of whats going on the show the ” Gender Performance gap”.
This would not happen in Ireland as Dee Forbes DG of Telly Eireann looking for a huge licence fee increase for the cosy quango and all the so called RTE stars only release their salaries nearly on foot of a high court order.All journalists are paid far too much a bit like CEOs in the goverment friendly charity sector. Openess and transparency for every institution that gets public money but not RTE as they know they are a Goverment propoganda machine.
It’s beyond absurd to suggest there is any gender gap in pay at the BBC, Fiona Gormless Bruce has little to complain about not the ghastly Claudia winkerman. It’s all about talent and negotiations and it would seem a damned good agent, this said is it being seriously suggested all women at the BBC are paid the same as Fiona Bruce? If so it would be bankrupted. As for the Male’s, again it’s Talent, Ratings and negotiations, Chris Evans is a multi millionaire and was so long before his stint at the BBC. The only surprise has to be Jeremy Vine, WTF is going on there, must be the prouncing around the Election night virtual reality set I guess
Disappointing comments for the most part on this. I am so sick and tired of men dominating radio and television. Really galling that the few women who are in the BBC are being paid substantially less than the men. It is illegal to discriminate on gender. Men are not better broadcasters than women they just get more chances. Are you on the side of fairness or the old white man elite ?
@carodeer: Fairness. Which is why i disagree with you. You may be sick of the male presenters but that’s your opinion. Some men are paid more because they are more popular. It is illegal to discriminate on gender so obviously you agree this must not be the reason for the pay difference. It may be because they are not worth that level of pay, or don’t do the extra shows and research required. Just maybe its not because women are victims again. Maybe its because they are not as good.
Claire Balding??? Christ, under no circumstances should she be equally high paid…
The problem here is determining what equal work means. Let’s say a man presents for 3 hours at the BBC and a woman presents for 3 hours…Should they get paid the same?
Well no. Not if the man is Graham Norton and the woman is Claire Balding…
What I want to know is why the hell are there not more black people and Muslims and Chinese in top positions in our Northern European Christian country, it’s a disgrace, is what it is. It was bad enough when it was discovered that there were hardly any black people and Chinese people and Muslims to be found in the country at all(thank God we’ve been rectifying that disgusting situation) but NOW THIS – UNBELIEVABLE!!
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